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28 UMMA Objects
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This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Carnival
1934 – 1967
Museum Purchase
1971/2.150.12
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Odalisque
1934 – 1967
Museum Purchase
1971/2.150.3
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Mineral Countenance
1934 – 1967
Museum Purchase
1971/2.150.7
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Temptation of Saint Anthony
1934 – 1967
Museum Purchase
1971/2.150.8
This is a black image with white lettering and white marked out areas. There are six vertical columns of words organized by Roman numerals and numbers. Two columns have their words marked out.
Mel Ramsden and Ian Burn
Negative print I from "Six Negatives"
1968 – 1969
Gift of Joan Meisel
2002/2.118.8
This is a black image with white lettering and white marked out areas. There are vertical columns of words organized by Roman numerals and numbers. One column has words that are marked out.
Mel Ramsden and Ian Burn
Negative print IV from "Six Negatives"
1968 – 1969
Gift of Joan Meisel
2002/2.118.11
This is a black image with white lettering and white marked out areas. There are vertical columns of words organized by Roman numerals and numbers. Two columns have their words marked out.
Mel Ramsden and Ian Burn
Negative print V from "Six Negatives"
1968 – 1969
Gift of Joan Meisel
2002/2.118.13
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Girl Undressing
1934 – 1967
Museum Purchase
1971/2.150.6
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Fruit Woman
1934 – 1967
Museum Purchase
1971/2.150.1
This is a white sheet of paper with black lettering. They typeface lettering identifies the artists and titles of the works. The handwritten lettering has signatures of the artists, date and edition numbers.
Mel Ramsden and Ian Burn
Title page from "Six Negatives"
1968 – 1969
Gift of Joan Meisel
2002/2.118.2
This is a black image with white lettering and white marked out areas. There are vertical columns of words organized by Roman numerals and numbers. One column has words that are marked out.
Mel Ramsden and Ian Burn
Negative print V from "Six Negatives"
1968 – 1969
Gift of Joan Meisel
2002/2.118.14
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Stripped Woman of Seville
1934 – 1967
Museum Purchase
1971/2.150.2
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